流行通信 Ryuko Tsushin vol.472(October 2002) cubism This publication serves as the

This publication serves as the official report for the exhibition "Kishio Suga: Dialogue

with an easy feeling for material craft as well as visual simplicity and clarity that is characteristic of Shafran’s intuitive organising principles and his entire working process

and modularity

Freda Drakopoulos

they do not follow a set formal method

流行通信 Ryuko Tsushin vol.472(October 2002) cubism This publication serves as the* 472 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art