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He showed with a friend’s gallery in Burford for years and I always thought one day I’d get around to contacting him
and later became a successful landscape and figure painter
We have two large oils in the exhibition
This exquisite drawing is a perfect example of his fine artwork
During the Great Depression Levenson had joined the federal Works Progress Administration
Norfolk Landscape, May 1957 Neutral He showed with a friend’sLabel on verso: In May 1957, when I was staying at the Dutch House, Edward Seago painted this sketch for me in illustration of a conversation we had about the discipline of a limited palette. The colours were ultra marine, alizarin and yellow ochre. Ian Houston
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