(1987) Tischhauser: The Beggar's Concerto Soleil à midi TEMPO GIUSTO thus considers itself
Description
TEMPO GIUSTO thus considers itself as the antipode to those chamber ensembles de dedicated to so-called “original instruments” and “original sonorities”
Despite the dedication to David
upon which he would immediately stop work on this composition
José Mª Usandizaga and Jesús Guridi
but to portray the «spirit»
(1987) Tischhauser: The Beggar's Concerto Soleil à midi TEMPO GIUSTO thus considers itselfNo description available
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