Camel caravan from Afghanistan; daytime by Yoshida Hiroshi, 1932 Size:18x24in (45x60cm) a tangible connection to a

a tangible connection to a bygone era of exploration and conquest

These choices mirror the 1930s appetite for engaging

You can see how the ground sits in the landscape — the approach roads

Of course there's no Australia

Fethard (13th century)

Camel caravan from Afghanistan; daytime by Yoshida Hiroshi, 1932 Size:18x24in (45x60cm) a tangible connection to aCaravan from Afghanistan; daytime (1931) by Yoshida Hiroshi invites the viewer into a sunlit expanse where a line of camels and their handlers traverse an Afghan plain with unhurried grace. A master of Japans shin hanga movementa 20th century revival that modernized the ukiyo e print traditionYoshida was renowned for translating light, distance, and atmosphere into woodblock form. In this composition, he turns his refined eye beyond Japan to the trade