(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen profound knowledge of composition

profound knowledge of composition

she extended her discography with a recording of Liszt’s 12 Transcendental Studies under the Swiss label Claves Records

Various interpretations of the oboe concerto were compared in this broadcast

she created her first symphonic piece “Ouverture Classique”

This is not the case for Heitor Villa-Lobos

(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen profound knowledge of compositionAlongside Italy's prolific but also highly inspired, sometimes to the point of grandiloquence, a less rhetorical but more playful musical genre was developing in France: the air de danse. The melodic theme of each dance was commonly called timbre. These airs appeared in a variety of forms, depending on the audience for which they were intended: sometimes they were called harmonized danse de cour, sometimes dancerie (the term used by Claude Gervaise).